Data Consciousness: Reframing Blackness in Contemporary Print

September 18–December 13, 2025
Print Center New York
535 West 24th Street
New York, NY 10011

Print Center New York is pleased to announce our fall 2025 exhibition Data Consciousness: Reframing Blackness in Contemporary Print, which brings together work by Black contemporary artists who explore expanded modes of printmaking to question the complex interplay between race, technology, and representation in our increasingly data-driven world. The exhibition features Tahir Hemphill, Julia Mallory, Silas Munro, Kameelah Janan Rasheed, and William Villalongo and Shraddha Ramani. It will run September 18—December 13, 2025 in the Center’s Jordan Schnitzer Gallery. It is the third and final exhibition in the Center’s year-long celebration of its 25th anniversary. 

The exhibition’s title references the concept of double consciousness articulated by the sociologist, historian, and activist W.E.B. Du Bois—the sensation and unreconciled striving of looking at and measuring oneself through the eyes of others. The exhibition also draws inspiration from Du Bois (1868–1963), who, at the 1900 Paris Exposition, presented a series of graphs, charts, maps, and photographs that visualized Black life after Reconstruction. Now considered important contributions to American design history and an early form of visual sociology and data science, Du Bois’s proto-modernist, hand-drawn infographics have had a profound impact in how we measure racial progress, and are of increasing relevance as the presence of data in daily life grows. The works on view in Data Consciousness—including prints, sculpture, installation, textile, and video—reframe Black contemporary art as a critical site for understanding how digital infrastructures amplify and constrain identity and autonomy.

¡Afuera! Publishing Queer Liberation

Through Nov 16
Printed Matter
231 11th Avenue
New York, NY 10001

Printed Matter is pleased to present an exhibition of historical publications and print ephemera published in the late 1960s and early 1970s by members of three radical coalitions: the Gay Liberation Front of New York (GLF) and the Third World Gay Revolution (TWGR), two groups that emerged in post-Stonewall New York, and the Frente de Liberación Homosexual of Argentina (FLH), Latin America’s first political action group for gays and lesbians. The work on view is drawn from Archivos Desviados, an ongoing, independent archive project now based in New York and founded by Argentinian-born archivist Juan Queiroz.

Pirouette: Turning Points in Design

Through Nov 15
MoMA
11 West 53 Street, Manhattan
Tickets

Design is a fundamental element of life, an enzyme necessary to our evolution. It helps us cope with change and permeates our personal and social lives, embodying both our strengths and weaknesses. Many designers are intent on creating new behaviors, focusing on habits and circumstances most in need of change. Pirouette: Turning Points in Design features objects—from Post-Its to Spanx—that embodied experiments with new materials, technologies, and concepts; offered unconventional solutions to conventional problems; and had a deep impact both on design and the world at large.

Drawn mostly from MoMA’s collection, some of the objects in this exhibition are readily recognizable—like the I ♥️ NY logo or the new Accessible Icon symbol—while others are known only to smaller audiences of fans and experts. Some, like Telfar’s Shopping Bag, dubbed the “Bushwick Birkin,” redraw the rules of exclusivity and luxury. Others, like the Walkman Portable Audio Cassette Player or the Macintosh 128K Home Computer, have changed and expanded our private space, allowing us to invite the world into our homes or to carry it with us. Seen together, the objects in Pirouette highlight the role of designers at their most inventive and constructive, and demonstrate the power of design to translate human experience into tangible forms and envision a better future.

POSTER HOUSE EXHBITIONS FALL 2025

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