Brent David Freaney: Am I Faking It? ~ Oct 30

Wednesday, October 30 · 6 – 9pm EDT
The One Club For Creativity
450 W 31st St Floor 6 New York, NY 10001

$10 student tickets

It is rare for designers to achieve such global recognition that they transcend their original function, leading to a celebration of form that becomes a pop culture phenomenon.

You’ve witnessed it. It’s everywhere.

TDC is thrilled to announce an in-person event featuring Brent David Freaney discussion (founder of Special Offer, Inc.) on type design, large-scale design systems, brat, and what it means to truly be a professional designer.

Instagram – SPECIAL OFFER, inc

Website – SPECIALOFFER.inc

Stencil work: scenes in a history ~ Nov 4

Mon, November 4, 2024
12:30–2:00 PM (Eastern Time)
Online

with Eric Kindel – This talk will survey scenes of stencil work spanning six centuries, discussing and illustrating the stencil’s surprisingly varied use in the production of textual and graphic documents, marks, and messages. Drawing on many years of research, the talk will explore the aesthetic, technical, social, entrepreneurial, regulatory, and linguistic dimensions of stencil work. Among the scenes will be stencil incunabula, stencil work typical of France, Britain, and the USA, the complexities of stencil terminology, and the conundrum of stencil type and typefaces. On show will be early cut-work, magnificent books made in monastic and secular ateliers, stencils cut by known makers and anonymous ones, large scale stencilled advertisements, ingenious stencil devices, stencillers in action, and much more – together offering diverse perspectives on this attractive domain of letters, type, and graphic form.

Brooklyn Backs Brooklyn ~ Nov 13

Wednesday, November 13 2024
6:30–9:00 pm
John L. Tishman Auditorium, The New School

University Center
63 5th Avenue
New York, 10003

Redefining the look and feel of modern philanthropy

If Brooklyn were its own city, it would be the third largest in the United States. And yet, when Brooklyn Community Foundation launched in 2009, Brooklyn nonprofits received just 2% of all NYC foundation funding. Since then, Brooklyn Community Foundation has moved over $100 million to Brooklyn nonprofits.

But Brooklyn deserved more. After nearly 15 years, the foundation understood that to truly make a difference in the status quo, they would need to make a dramatic shift. It was time the brand felt as big as its ambition—that it became an institution as iconic and inclusive as Brooklyn itself. So Mother New York and Mother Design developed a strategy to distance the organization from notions of traditional philanthropy, seen largely today as elitist, dysfunctional, and detached. Brooklyn Community Foundation should be reborn not only in look and feel, they posited, but in name: Brooklyn Org would be the champion for Brooklyn, the new model for community philanthropy, and the destination for all who care.

Join Kozue YamadaBrian ReidJP Napleton, and Gonzalo Donoso for a behind-the-scenes look at the reimagining of Brooklyn.org.

A Virtual Discussion with Shine’s Michael Riley ~ Nov 19

November 19
12:00 pm – 1:00 pm
FREE

A good concept has always been at the center of design. But in 2024, with the explosion of design in motion, designers are increasingly stepping into the role of storyteller. Join us at for a virtual presentation at the TDC to hear one designer’s approach. Michael Riley from Shine in Los Angeles will share his design work in streaming and film. Spoiler alert: the answers are often in the script.

TUSCANS. Some intriguing questions over this singular ornamental type style ~ Nov 25

Mon, November 25, 2024
12:30–2:00 PM (Eastern Time)
Online

with Alejandro Lo Celso (Loche)
Tuscan letterforms can be subtle or extravagant, sumptuous or delicate, but in an inexplicable way this very singular genre populates streets and typographic catalogs of all times. A product of decorative ingenuity, Tuscan vernaculars dress the street signs of Mexico as much as the stained glass windows of Paris, the “porteño” filleting of Buenos Aires signs or the hulls of fishing boats in the waters of the Amazon. But where do Tuscan letters come from? Are they just another expressive addition to the decorative sections in type founders and printers’ catalogs? Is it possible that they were born from a mischievous interpretation of Roman inscriptions engraved in stone? These and other questions will be raised — not necessarily answered! We will also be delighted with some images of Tuscan vernaculars of certain places.

Exhibitions & Events at Poster House

Poster House
119 W. 23rd Street
New York, NY 10011

EXHIBITS

Just Frame It: How Nike Turned Sports Stars into Superheroes
Sep 26, 2024–Feb 23, 2025

Fantastical Streets: The Theatrical Posters of Boris Bućan
Sep 26, 2024–Feb 23, 2025

Lester Beall & A New American Identity
Sep 26, 2024–Feb 23, 2025

Munich 1972: Sports Posters of the XXth Olympic Games
Nov 14, 2024–Apr 13, 2025

Leaving the Smoke Behind: Enjoying an Awayday
Nov 14, 2024–Apr 13, 2025

Check their website frequently for in-person and virtual exhibition tours, events.